Cork Constitution
Monday, April 12, 1875
Cork City,
Cork
MISS BELLA M'CARTY'S CONCERT
We would direct attention to the
concert advertised to be given by the above named young lady, at the Munster
Hall, on Friday the 16th inst. From the class of music included in the
programme it may be expected to be one of the most refined and classical
performances, and at the same time popular, ever given in this city. Miss
M'Carty is the daughter of a much respected fellow-citizen, Mr. J. W. M'Carty,
and is a pianist of the highest order, as is evinced by her brilliant career
when a student in the Royal Academy of Music, London, she having taken both the
silver and bronze medals for pianoforte playing and also a prize in
harmony. Her style and finish as an instrumentalist met with great praise
from those who heard her in London, and the musical public of Cork will not be
backward in giving her support in her native city. Miss M'Carty will be
assisted by Miss Marie Duval, a young lady who is steadily making a name for
herself in England as an accomplished vocalist, while the tenor will be Mr.
Pearson, and Mr. J. Sullivan, the well-known Bass, will also appear. The
lovers of instrumental music will also be gratified to learn that an opportunity
will be given them of enjoying the beauties of some choice morceaux, among which
will be included the late Sir Sterndale Bennett's chamber trio, together with
solos and duets for pianoforte, violin, and violoncello, to be executed
respectively by Miss M'Carty, Mdlle. Gabrielle Vaillant, and Herr Elsner, the
latter of whom is an old favourite in Cork, while Mdlle. Valliant is said to be
one of the best female violinists of the day.
Cork Constitution
Tuesday, April 15, 1875
Cork
City, Cork
MUNSTER HALL, CORK
MISS BELLA W. M'CARTY'S
GRAND
FASHIONABLE
EVENING CONCERT
FRIDAY EVENING, APRIL
16TH
PROGRAMME
Part
I
Trio "I.
Naviganti," Randegger
(Miss Duval, Mr. Pearson, and
Mr. Sullivan.)
Solo (Violin) "Romance in
F," Sainson
(Mdlle.
Vaillant.)
Duett "We Two" Smart
(Miss Duval and Mr. Sullivan)
Song,
"Once Again," Sullivan
(Mr. Pearson.)
Solo (Pianoforte) "Scherzo a
Capriocio,"
Mendelssohn
(Miss Bella M'Carty)
Song, "Only for one"
Randegger
(Miss Duval.)
Duett (Pianoforte and Violoncello) "Andante and
Allegro Assai" from Sonata in B flat,
Mendelssohn
(Miss M'Carty and Herr
Elsner.)
Solo, "Revenge, Timotheus Cries," Handel.
(Mr.
Sullivan.)
Trio, "The Hawthorn in the Glade," S. Bennett
(Miss Duval, Mr.
Pearson, and Mr. Sullivan.)
Part II
Trio (Piano, Violin, and
Violoncello) "Chamber
Trio," S. Bennett
(Miss M'Carty, Mdlle. Vaillant,
and Herr Elsner.)
Song, "Little Maid of Arcades," Sullivan.
(Miss
Duval.)
Solo (Violoncello), "Sarabande, Gavotte, and
Musette,"
Bach.
(Herr Eisner.)
Song "The Watchman," Knight
(Mr.
Sullivan.)
Solo (Pianoforte) "Don Pasquale," Thalberg.
(Miss Bella
M'Carty.)
Solo "Adelaide," Beethoven.
(Mr. Pearson.)
Solo, (Violin)
"Andante and Rondo Russe,"
De Beriot.
(Mdlle. Vaillant.)
Duett "Una
Notte a Venezia," Incantoni.
(Miss Duval and Mr. Pearson,)
Trio "Zitti,
Zitti," Rossini
(Miss Duval, Mr. Pearson, and Mr. Sullivan.)
Doors
open at Half-past Seven, to commence at Eight.
Cork Constitution
Monday, April 19, 1875
Cork
City, Cork
MISS BELLA M'CARTY'S CONCERT
Rarely has a
programme been placed before an audience in this city containing more beautiful
gems of tone-poetry than that given by Miss M'Carty, on the occasion of her
benefit concert, which took place at the Munster Hall on Friday night. The
music might, indeed, be said to be more suitable to the tastes of those who have
made the tone-art their especial study than to those whose musical culture has
not been brought to that pitch that would enable them to give due appreciation
to those lovely gems of classical art, which so delight the trained musician;
and indeed among the numerous audience that assembled, the greater portion
seemed thoroughly pleased with both the music itself and also with the manner of
its execution. Miss M'Carty herself is a pianist of no mean ability.
She possesses an exceedingly brilliant and, at the same time, firm and decided
touch; while her style at once betrays that keen perception of the ideas of the
composer in the music falling to her lot, which always distinguishes a really
clever artiste. Her first solo was a "Scherzo," by Mendelssohn, which she
performed with great vigour and finish, which drew forth a hearty encore; and
she responded by playing a brilliant fantasia on "Home, Sweet Home." In
her second solo, Thalberg's fantasia, introducing the well-known serenade from
"Don Pasquale," she was equally successful and showed how she can master the
totally different styles of composition. Again encored, she gave a couple
of Irish melodies, which pleased her hearers greatly. Mdlle. Gabrielle
Vaillant was the violinist, and she clearly proved that ladies can at least
handle the greatest of instruments, and compete as performers, with artists of
the other sex. Her style is not, so to speak, dashing; but she can play
with that intense expression that appeals to the hearts as well as the ears of
the audience and that, with a pure and sympathetic tone, never false or wavering
in the slightest. The "Romance" by Sainton was eminently qualified to
exhibit to perfection this style, in which she so excels, and an encore was of
course the result. De Beriot's "Andante and Rondo" also found a thoroughly
intelligent exponent in Mdlle. Vaillant. It is almost needless to speak of
Herr Elsner's superb violoncello playing; his name and abilities as an artiste
are well known here. In his solo, Bach's "Sarabande, Gavotte, and
Musette," he literally made his instrument sing and had to repeat a
portion. The concerted music was also very beautifully rendered,
especially Bennett's Chamber trio, a detailed notice of which appeared in
Wednesday's Constitution. In the vocal department Miss Marie Duval was the
soprano voice, which might be made very effective, and she was encored in her
second song, "Little Maid of Arcadee." Mr. Pearson has a strong tenor
voice and at times sings extremely well, but Beethoven's "Adelaide" was rather
too ambitious a song for him; and he was much more successful in Sullivan's
ballad "Once Again," which he sang beautifully, as an encore giving Ascher's
well known song "Alice." Mr. J. Sullivan's fine voice and splendid
delivery have frequently been commented upon, and he was never heard better than
on Friday night in Handel's splendid aria "Revenge, Timotheus Cries" and also in
"Honour and Arms," which he substituted as an encore. The vocal artistes
also contributed some very pleasing pieces, and the accompaniments were played
throughout by Mr. John M'Carty, father of the fair beneficiare, who may be
congratulated on the success of this, her first concert in her native
city.
Submitted by Elizabeth W. Knowlton
email: knowltonew@earthlink.net
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